REO Speedwagon and Chicago Delivered With Nostalgic Show in Saint Louis Saturday
–By Ashley Cox
–Photos by Greg Artime
I have to admit with the run of Saint Louis heat, I was dreading spending hours outside on Saturday, June 23rd, but nature gave us a reprieve and the weather was amazing for the REO Speedwagon & Chicago 2018 North American Summer Tour.Ā The Hollywood Casino Amphitheatre is one of my favorite venues in the Lou. The parking is included in the ticket and you can bring your own bottle of water.
What you canāt do is bring a lawn chair higher than 9ā (think standard lawn chairs). Beach chairs and blankets are allowed and you can rent chairs at the venue. What you shouldnāt do is yell at security like a petulant child when they say that your chair is too tall and you need to take it back to your car. Also, you shouldnāt continue to yell at them after they comp you a chair rental.
Yeah, dude, it was a bad look and no one in the immense, yet quickly moving, line was on your side.
I arrived fairly early and had time to people watch before the opener. Going to shows in a variety of genres helps you notice trends. For small touring, indie bands you wouldnāt be caught dead in a concert tee for that and, instead, opting for the most obscure band you could think of. This was the opposite. A variety of REO Speedwagon and Chicago shirts could be seen in the crown with the winner having the oldest tee.
Michael Tolcher of Atlanta was a solid opener. He didnāt introduce himself until halfway through the set and with his laid-back blue jeans and tee could have mistaken for someone wandering out of the crowd. My favorite original song was āOrionās Beltā written for his son who will be born next week. Congrats, Michael!
Next up was my favorite of the night; REO Speedwagon. I stole my dadās copy of their The Hits (Remastered) during high school and listened to it incessantly. Kevin Croninās unique way of drawing out vowels was the soundtrack to summery days in the Texas heat. They did not disappoint. You guys, they started their set at 7:29ā¦ 1 minute before listed set time! That never happens. And they were ready to go. Voices warmed up. Instruments tuned. Cronin looked out on the crowd and noted ārock n roll keeps us young.ā I respectfully disagree. I have been going to concerts regularly since early college and have seen the wear and tear on bands from lengthy and consistent touring. REO Speedwagon clearly, though, takes care of themselves.
Being a transplant to Saint Louis, and not being alive in the 70s, I was unaware of the bandās lengthy history with the city. The band took a moment to thank KSHE 95 for helping launch their careers and noted their popularity in Saint Louis was high even before they became well known. Cronin hit every note perfectly while Dave Amato slayed on the guitar. Bass player Bruce Hall took center stage to perform lead vocals on āBack On the Road Again.ā Founding member Neal Doughty killed it on synths and keyboard. Bryan Hitt maintained that frenzied high that only drummers possess. Every song was spot on but my favorite had to be the life changing renditions of āTake It on the Run,ā the setās energetic closer (and my Dadās favorite song) āRidinā the Storm Out,ā and an encore tribute to Tom Petty āListen to Her Heart.ā The bandās vocals melded together to get those rich harmonies found in Tom Petty and the Heartbreaker songs. It must have suddenly become very dusty as my eyes were watering.
Next up was the hardcore Chicago fanās dream, two full-length sets. The band performed the entirety of their Chicago II, in honor of the albumās consideration for the Grammy Hall of Fame, followed by an additional set of greatest hits for a total of 31 songs. Before we go further, I need to admit that I have a slight bias against Chicago through no fault of their own. Freshman year of high school, the marching band performed Chicagoās greatest hits and as part of the dance team, I had to stand in formation the entire set. Late summer in Texas is a mosquito filled mess and I stood there, stock still, sweating and getting eaten alive.
ā25 or 6 to 4ā is still my jam though. It is the touch point of what I associate with Chicago and the band brought a great energy to that song. What I didnāt realize is that a majority of Chicago II is milder in nature. I would love to have seen this album performed in an orchestra hall, perhaps the Fabulous Fox or Powell Hall, where the lively horns and smooth voices were not competing with peopleās excessive alcohol consumption and distracting lighting rigs. Maybe this could happen in the future, as founding member Robert Lamm noted that they have never considered the possibility of just playing an album in its entirety before.
The crowd maintained a reverent silence during songs but lost their minds between them, cheering when those familiar opening chords rang out. āIf You Leave Me Now,ā āSaturday in the Park,ā and āYouāre the Inspirationā were some personal standouts. Current pop culture fans will be disappointed to note that no Deadpool references were made during āYouāre the Inspirationā though they would have seemed out of place with the graphics of various forms of the iconic Chicago logo.
This tour pairing seemed like a no-brainer to me and it must feel that way to bands as they have done it multiple times before. Yet I was struck by the two very different feelings given off. This is the same genre yet the wailing guitar and synth of REO Speedwagon feels so different from the brassy and soaring Chicago. There was a cool breeze on my way to the car surrounded by happy fans. Everyone seemed to be leaving in a great moodā¦ probably even the lawn chair guy.
Stick around for a gallery of great shots by Greg Artime after the setlists.
REO Speedwagon Setlist:
Don’t Let Him Go
In Your Letter
Keep Pushin’
Can’t Fight This Feeling
Tough Guys
That Ain’t Love
Take It On The Run
Time For Me to Fly
Back on the Road Again
Ridin’ The Storm Out
Encore:
Keep On Loving You
Roll With the Changes
Listen to Her Heart (Tom Petty and the Heartbreakers cover)
Chicago Setlist Set A:
Movin’ In
The Road
Poem for the People
In the Country
Wake Up Sunshine
Make Me Smile
So Much to Say, So Much to Give
Anxiety’s Moment
West Virginia Fantasies
Colour My World
To Be Free
Now More Than Ever
Fancy Colours
Memories of Love
It Better End Soon
Where Do We Go From Here
25 or 6 to 4
Set 2:Ā
Beginnings
Questions 67 & 68
If You Leave Me Know
Dialogue (Part I & II)
Cal on Me
Does Anybody Really Know What Time It Is?
Hard Habit to Break
You’re the Inspiration
I’m a Man (The Spencer Davis Group cover)
Street Player
Just You ‘n’ Me
Hard to Say I’m Sorry/Get Away
Saturday in the Park
Feelin’ Stronger Every Day